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ILL

ILL, How Do I Love Thee?: A Classic Movie Fan’s Tribute

02/23/2019 by leah@carygrantwonteatyou.com 4 Comments

For years I’ve been grumbling, waiting for streaming access to classics I hear about from other blogs: Letter from an Unknown Woman, The Great Lie, A Foreign Affair. Without a Netflix DVD cache or TCM, the classic movie fan is left with few options, and my brief affair with the Warner Archive had given me little love. Then it occurred to me, like a (clichéd) beacon of light in the night: YOU HAVE ACCESS TO INTERLIBRARY LOAN.

How do I love thee, ILL? Let me count the ways.

  1. You don’t tarry. Within a week, all three films were at my library’s front desk. The student helping me didn’t notice my bated breath or strong desire to do the worm in celebration. Used to her fellow students’ desperate and grumpy research requests, she was unaware of the yummy chocolate cake she was handing over to me. Her loss.
  2. You have so much to offer. Greedy after receiving all three films, I thought I’d dare for my elusive, longed-for white whale of a book. I’d just emailed Grace Collins of True Stories of Tinseltown about our upcoming podcast chat on Mae West and Cary Grant when my long-stamped-out desire resurfaced: Goodness Had Nothing to Do with It. I needed it–obviously–for research. Amazon was charging boatloads of cash for Mae’s autobiography, but was it possible I could get my hands on it for free? YES!!!
  3. You give me so MANY moments to savor. Here is one of hundreds of funny interchanges from Mae’s bio: She’s just put on opening night for her first play in New London, CT in 1926. The house manager is grumbling about the ticket purchases: “The title’s scaring them away. Nobody in this town will buy tickets for a show with the title SEX….We don’t talk about sex hereabouts, and we don’t put it on signs.” Only 85 people show for the first performance, and Mae is feeling blue that the first play she wrote and starred in looks like a bomb. But at the next day’s matinee, she sees lines of men from the naval base “two and three deep,” and the manager is scrambling for extra seats for his theater. “And you said it was a bad title,” observes Mae. And he replies, “I forgot about the sailors.”
  4. You let me savor each moment. On Monday morning, I’d been reading my usual dose of terrifying headlines on CNN. I was feeling blue, and knew I had to banish that mood if I had any chance of cheering my 9 am students, who had been staring at me for days with a peculiar type of hostility they’d developed from years of New England winters—the “how-dare-you-deny-me-another-snow-day, woman” look I knew so well. Naturally, I looked to Mae for mood elevation, and found her defense against the newspaper baron, William Randolph Hearst, who–in the midst of delivering his own era’s brand of terrifying headlines–had written this, “Is it not time Congress did something about Mae West?” Thanks to my generous love, ILL, I got to read Mae’s response: “All I have ever wanted to do is entertain people, make them laugh so hard they forget they’d like to cry.” Such an important reminder to me about the need for humor, dear Mae; you bolstered me the rest of the week. And by Friday? I was enjoying Jean Arthur’s and Marlene Dietrich’s charismatic performances in The Foreign Affair. Oh ILL, how I love thee…..

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Posted in: 1930s films, 1940s films, Comedies (film), Drama (film), Humor, Mae West Moments Tagged: A Foreign Affair, classic film, Goodness Had Nothing to Do with It, ILL, Letter from an Unknown Woman, libraries, Mae West, The Great Lie

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